Native Americans, First Nations and Indigenous Peoples
populated the August 2024 meeting. The
selections presented covered both Native American tribes in the United States
and First Nations tribes in Canada through a mixture of nonfiction and fiction
and ranged from the American frontier to modern times. Representation is important, and one-third of
the books were written by authors who identify as Native American or
indigenous. Several of the other books
draw heavily, if not exclusively, from written accounts and oral histories in
indigenous voices. Most of the books
shown contained positive depictions of Native Americans or neutral accounts of
historic events; only one heavily leaned into the dominant racist stereotypes
of the time in which it was written.
Nonfiction
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An Account of the Life of the Reverend Mr. David Brainerd |
Edwards, Jonathan.
An Account of the Life of the Reverend Mr. David Brainerd, Minister
of the Gospel, Missionary to the Indians, from the Honourable Society in
Scotland, for the Propagation of the Christian Knowledge, and Pastor of the
Church of Christian Indians in New Jersey.
Boston: D. Henchman, 1749. David
Brainerd (1718 – 1747) was a Presbyterian minister and a missionary to the
Native Americans and Delaware Indians of New Jersey, supported by the Scottish
Society for Propagating Christian Knowledge.
When Brainard was expelled from Yale because of a lack of spiritual
enthusiasm—likely the result of fatigue caused by tuberculosis—Jonathan
Dickinson, a Presbyterian minister in New Jersey, encouraged Brainerd to do
missionary work among the Native Americans.
He entered the mission in 1743 and ministered to the Mohican and
Delaware tribes in the Northeast until 1746, when he became too ill to continue
serving. In frail health, Brainerd moved
into Dickinson's home for a short time, then into Jonathan Edwards' home until
his death from tuberculosis in October 1747 at the age of 29. Using Brainerd's diary and private writings,
Edwards constructed An Account of the Life of the Reverend Mr. David
Brainerd. The biography focuses on
Brainerd's ministry among the Delaware Indians of New Jersey, but Edwards made
some substantial changes to Brainerd's diary to reflect Edwards' own Arminian
theological viewpoint.
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The Journals of the Expedition Under the Command of Captains Lewis and Clark |
Lewis, Meriwether, William Clark, and Nicholas Biddle,
ed. The Journals of the Expedition
Under the Command of Captains Lewis and Clark. New York: The Heritage Press, 1962. Two volumes.
Lewis and Clark's account of their expedition through the Louisiana
Purchase to the Pacific Northwest was originally published in 1814 as the History
of the Expedition Under the Commands of Captains Lewis and Clark after the
journals were edited and narrativized by Nicholas Biddle. The journal was republished in 1904-1905 by
Reuben Gold Thwaites as the Original Journals of the Lewis and Clark
Expedition, adding back in the full extent of the scientific discoveries of
flora and fauna made by the expedition but omitted by Biddle. The journals describe the trip across the
Rocky Mountains and down the river Columbia to the Pacific Ocean and the
expedition's return to St. Louis from 1804 through 1806. The journals are filled with vivid tales of
their times spent with many Native American tribes, including the Shoshone,
Pawnee, Skilloot, Clatsop, Wahkiacum, Neerchokio, Yehugh, Weoksockwillakum,
Willetpos, Minnetaree, and Blackfoot.
Lewis and Clark were guided in their expedition by Sacajawea, a
Lemhi-Shoshone woman who had been sold to a Canadian trapper at age 12. The trapper was hired by Lewis and Clark to
help communicate with the native Indians; he brought Sacajawea along for her
memory of the countryside and her language skills. She proved instrumental to the success of the
expedition and the survival of the explorers.
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Color plate from Lewis & Clark |
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A Narrative of the Life of Mrs. Mary Jemison |
Seaver, James. A
Narrative of the Life of Mrs. Mary Jemison, Who Was Taken by the Indians, in
the Year 1755. Howden, England: R.
Parkin, 1826. The full title of this
biography may describe it best:
A narrative of the life of Mrs. Mary
Jemison, who was taken by the Indians, in the year 1755, when only about twelve
years of age, and has continued to reside amongst them to the present
time. Contains an account of the murder
of her family and his family; her sufferings; her marriage to two Indians; her
troubles with her children; barbarities of the Indians in the French and
Revolutionary wars; the life of her last husband; and many historical facts
never before published. Carefully taken
from her own words, Nov. 29th, 1823. To
which is added, an appendix, containing an account of the tragedy at the
Devil's Hole, in 1763, and of Sullivan's Expedition; the traditions, manners,
customs, etc., of the Indians, as believed and practiced at the present day,
and since Mrs. Jemison's captivity; together with some anecdotes, and other
entertaining matter.
These salacious accounts of life in the United States,
especially encounters with the American Indians, were wildly popular in England
at the time. Books such as this formed a
distinctive genre in Western literature known as "captivity
narratives," when European explorers and colonizers recorded tales of
capture and return, especially within the context of warfare. The books were cheaply printed for mass
distribution and are difficult to find today in any condition.
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Indian Wars of the United States |
Moore, William V. Indian
Wars of the United States: From the Discovery to the Present Time, with
Accounts of the Origin, Manners, Superstitions, Etc., of the Aborigines, from
the Best Authorities. Philadelphia:
J. &. J. L. Gihon, 1851. First
published in 1840. William V. Moore is
an alias for John Frost, historian and author of The Indian: On the
Battle-Field and in the Wigwam (1857, as Frost), Heroic Women of the
West (1854, as Frost), Heroes and Hunters of the West (1853, published
anonymously), and History of the State of California (1851, as Frost). Frost was often criticized for
"pilfering" texts as opposed to writing original content, which may
explain why his questionably plagiarized works were published anonymously or
under a pseudonym. In Indian Wars of
the United States, Frost considers twenty-two distinct war campaigns with
Native American tribes which he "deemed of sufficient importance, in their
nature or results, to claim a place in general history." Before providing an overview of each of these
Indian wars, Frost introduces the reader to the Indians of North America by embracing
the racist stereotypes of Native American's origins and languages, skin color,
savage nature, "sorcery" and indigenous medicine, and even their
primitive sexual nature. His portrait of
American Indians as "savages… who live in a rude and dirty manner"
serves as his justification for the "European race" declaring war
against them.
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Color plate from Indian Wars of the United States |
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Geronimo: His Own Story |
Geronimo and S. M. Barrett, ed. Geronimo: His Own Story. New York: E. P. Dutton, 1970. First published in 1906 by S. M. Barrett,
newly edited with an introduction and notes by Fredrick W. Turner, III. Geronimo ("One Who Yawns") lived
from 1829 to 1909. He was a prominent
Apache medicine man and leader from 1850 to 1886. He was captured by the Army in 1886 and
remained a prisoner of war until his death at Fort Sill in 1909. During 1905 and 1906, Barrett, a school
superintendent in Lawton, Oklahoma, recorded many hours of conversations with
Geronimo through a native interpreter which form the basis for this transcribed
autobiography. Because Geronimo was designated
as a prisoner of war, Barrett made appeals to the government, all the way up
the chain of command to President Teddy Roosevelt, for permission to record the
"Indian outlaw." Geronimo came
to each interview knowing exactly what parts of his life he wanted to cover.
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Bury My Heart at Wounded Knee |
Brown, Dee. Bury
My Heart at Wounded Knee: An Indian History of the American West. New York: Holt, Rinehart & Winston,
1970. Brown documents many of the battles
between Indian tribes and the US Army in the second half of the 19th century. The book highlights the systematic efforts of
the US government to annihilate the Native American population. Dee uses tribal council records and firsthand
descriptions to allow the chiefs and warriors of the Dakota, Ute, Sioux,
Cheyenne, and other tribes to tell in their own words of the battles,
massacres, and broken treaties which finally left them demoralized and
defeated.
Brown's motivation for researching and writing this book
came from a paradigm shift he experienced as a teenager. As a teen, he spent extensive time at his
local public library reading through The Journals of the Expedition Under
the Command of Captains Lewis and Clark (above). During that time, he also made the
acquaintance of Chief Yellow Horse, a professional baseball pitcher, who was
kind to him at Arkansas Travelers baseball games. These experiences, along with a childhood
friendship with a Creek boy, compelled him to reject the dominant stereotypes
of Native Americans as primitive and violent.
This perspective guided Brown's approach to Bury My Heart at Wounded
Knee.
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The Memoirs of Chief Red Fox |
Chief Red Fox. The
Memoirs of Chief Red Fox. New York:
McGraw-Hill Book Company, 1971.
Introduction by Cash Asher. Chief
William Red Fox (1870 – 1976) was an Oglala-Lakota and Sioux performer and
Indian rights advocate. He was a nephew
of the Lakota war leader Crazy Horse and was regarded as an authority on the
historic Little Bighorn massacre. For
many years, he participated in Buffalo Bill's Wild West Show, as both a
performer and a translator and manager for the Native Americans in the
troupe. In The Memoirs of Chief Red
Fox, he not only tells his own story but relates his personal experiences
to the larger struggle of Native Americans fighting for their rights and
identity. This copy is signed on the
half title page by Chief Red Fox.
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DeGrazia Paints the Apache Indians |
DeGrazia, Ettore. DeGrazia
Paints the Apache Indians and Myths of the Chiricahua Apaches. Tucson: De Grazia Gallery in the Sun, 1976. Ettore "Ted" DeGrazia was an
American impressionist best known for his images of Native Americans of the
American Southwest. He was born in 1909 in
the Arizona Territory before it achieved statehood in 1912. In 1925, he painted his first painting,
"Indian Faces," at age 16.
This collection of Native American images contains the artist's
impressions of the Apache Indians as the were before the white man invaded their
hunting grounds. This copy is inscribed by
the artist on the front free end paper.
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DeGrazia images "Apache Brave" and "Apache Maiden" |
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Native American Religions |
Carmody, Denise Lardner and John Tully Carmody. Native American Religions: An Introduction. Mahwah, NJ: Paulist Press, 1993. This book surveys the religious and spiritual
lives of Native Americans across North, Central, and South America. It groups thirty-five distinct tribes into
seven geographical areas and explores the historical and geographical
backgrounds of these groups of tribes.
The authors also consider Native American views on nature, social
thought, and the concept of the self as well as explore key issues and values
such as gender, marriage, death, and spirituality.
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Image from Native American Religions |
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The Wars of the Pacific Northwest |
Cozzens, Peter, ed.
The Wars of the Pacific Northwest: Volume Two – The Eyewitnesses to
the Indian Wars, 1865 – 1890. Mechanicsburg,
PA: Stackpole Books, 2002. The
five-volume The Wars of the Pacific Northwest tells the saga of the
struggles of the Native Americans and the US military in the late 19th
century. Volume Two covers the time
after the American Civil War and the tragedy at Wounded Knee, including five
distinct conflicts: the Snake-Paiute War (1866-1872), the Modoc War
(1872-1873), the Nex Perce Campaign (1877), the Bannock War (1878), and the
Sheepeater Campaign (1879). Cozzens
compiles primary sources, including contemporary newspapers and magazines,
unpublished manuscripts, and firsthand accounts from participants in the
conflicts, including Chief Joseph and Yellow Bull.
Fiction
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House Made of Dawn |
Momaday, N. Scott.
House Made of Dawn. New
York: Harper & Row, 1968. First
edition. Momaday was born in Oklahoma in
1934, but his Kiowa/Cherokee family moved to Arizona in 1935 and then to New
Mexico in the 1940s. While attending the
University of Virginia in the late 1950s he became friends with William
Faulkner. Faulkner had a major influence
on Momaday’s writing. When House Made
of Dawn was published, Momaday's first novel was hailed as " a
masterpiece of Native American literature" (The Paris Review). The story follows Abel, a young Native
American, who comes home from war to find himself caught between two worlds: the
traditional Native American world of his father and the modern world of
industrial America. Abel is torn between
the rites and traditions of his people and the compulsions and lures of modern
life. House Made of Dawn was
awarded the 1969 Pulitzer Prize for Fiction.
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Dance Me Outside |
Kinsella, W. P. Dance
Me Outside: More Tales from The Ermineskin Reserve. Boston: David R. Godine, 1986. Kinsella was a Canadian novelist and short
story writer who often highlighted First Nations people and Canadian culture in
his stories. Dance Me Outside is
a collection of short stories first published in 1977. The seventeen stories are set on a Cree
Indian reserve near Hobbema in Central Alberta and recount the lives of the
people living on the reserve. The
stories were adapted to a film of the same name in 1995, and a television
series called The Rez in 1996.
This copy is inscribed by the author on the title page.
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Tracks |
Erdrich, Louise. Tracks. New York: Henry Holt, 1988. Erdrich is a Native American writer whose
novels, poems, and children's books feature Native American settings and
characters. She is a member of the
Turtle Mountain Band of Chippewa Indians of North Dakota, a federally
recognized tribe of Ojibwe people. She
is a prominent, influential writer of the Native American Renaissance, a
movement of increased production of literary works by Native Americans in the
United States in the late 1960s and onward.
Tracks is the third book in the Love Medicine series, a
collection of stories following the lives of five interconnected families
living on Ojibwe reservations in Noth Dakota and Minnesota.
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The Man Who Fell in Love with the Moon |
Spanbauer, Tom. The
Man Who Fell in Love with the Moon.
New York: Grove Press, 1991. Spanbauer
is a novelist who writes in first-person lyrical prose and explores issues of
race and sexuality. He was born and
raised in Idaho and after two years in Kenya with the Peace Corps, returned to
Idaho State University to work as a counselor and advisor to the student Indian
Club. He met and developed a close
relationship with a two-spirit Shoshone-Métis tribal leader; they became blood
brothers. Spanbauer's relationship with
his blood brother had a profound effect on his life and heavily influenced The
Man Who Fell in Love with the Moon.
The novel's narrator and protagonist, Shed, an orphaned half-Indian
bisexual boy living and working in a brothel in Idaho in the 1880s, recounts
his quest to learn more about his mother, her tribe, and the meaning of his
Indian name. He learns about his berdache
(two-spirit) identity but little more about his mother before returning to the
brothel. Only after life at the brothel
takes a series of tragic turns for the worse for all who live there does Shed
finally uncover the truth about both of his parents.
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Cloud Eyes |
Lasky, Kathryn. Cloud
Eyes. San Diego: Harcourt, Brace and
Company, 1994. Illustrated by Barry
Moser. Cloud Eyes, a young Native
American boy, is on a quest to find and bring honey back to the lodges of his
people. He is a dreamer but accepts the
reality that he is his tribe's only hope for locating the essential honey.
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Illustration by Barry Moser |
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Coyote Blue |
Moore, Christopher.
Coyote Blue. New York:
Simon & Schuster, 1994. Samson
Hunts Alone, a fifteen-year-old boy forced to flee his Crow reservation after a
deadly misunderstanding with the law, becomes Samuel Hunter, an adult yuppie
insurance salesman. His life is going
well—except maybe his love life—until he is confronted by Coyote, the Indian
trickster god, with his buried life and his status as a Native American outlaw.
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The Wind in His Heart |
de Lint, Charles. The
Wind in His Heart. Hornsea, England:
PS Publishing Co., 2018. De Lint is
a Canadian novelist who primarily writes contemporary fantasy fiction in which
the natural and supernatural co-exist in real-world/otherworld settings. He often draws on Native American and
indigenous cultures and folklore. The
Wind in His Heart follows four disparate characters, including Thomas Corn
Eyes, an indigenous young man who can see into the otherworld and desperately
wants to get off the reservation, whose lives collide in a mountainous
wilderness as they each try to escape their pasts and create a new future for
themselves.